So try to imagine how it sounds. Goat’s Notes’ modus operandi is open-form, real-time creativity based on pure contact. This evolves into something pretty well-defined for some minutes – from tomfoolery dance to grim blues. At other times the instruments roar and cluck, exercise in various playing techniques, then easily form some unexpected unions, like a trio of the talkative trombone, the cold-blooded double bass and the either passionate or sarcastic violin, which is interesting already in itself. The voices become instruments too. Musical events are cut off as unexpectedly as they are created.